Still photography is better than average, too. In low light, though, the auto settings do a fairly good job of compensating for loss of illumination compared with other similarly priced camcorders - and even some more expensive ones. Autofocus, for example, sometimes struggles to work out what to actually focus on, while auto white balance seems to randomly flit from one setting to another, causing colour warmth to fluctuate wildly, even during a locked-off shot. Our test footage produced some highly unsatisfactory motion when using the stabiliser, almost as if it was attempting to sporadically freeze the image.Īnother culprit is the SX500's autopilot, which frequently fails to hit its mark. We would alert anyone who's considering the Camileo as a potential purchase that the electronic image stabiliser is probably best left set to 'off'. Telltale imperfections include blockiness occurring in moving shots and an odd crystalline effect around the edges of objects, though, again, these are less noticeable at 1080i. It's more due to the fact Toshiba's inexpensive video device doesn't use the same advanced AVCHD codec for processing its high-definition recordings that more expensive camcorders tend to employ, which may account for some inferiority image-wise. It's not the manufacturer that's the issue, either. That's not to say footage from the SX500 would compare well with, say, a £300 Panasonic or Sony model. For reasons we're not entirely able to ascertain, the 1080i setting also provides much better colour reproduction and sharper edges with less distortion. At 1080i you get the benefit of a higher frame rate - 60 frames per second (fps), as opposed to 30fps for the progressive 1080 setting - which seems to help the camcorder cope with motion somewhat better. In our tests, we found that 1080i was the superior video quality setting, even though the SX500 goes right up to 1080p. Interestingly, the SX500 supports SDHC and SDXC cards of capacities up to 64GB. A negligible amount of internal memory is provided, so you will need to obtain an SD card if you don't already have one.
#Toshiba camileo x100 review cnet manual#
You won't find anything as exotic as a touchscreen user interface, but menus are nevertheless simple to navigate and reveal further useful options, such as manual focus and white balance, as well as face-chasing and colour-targeting tools. Though it's very small and light, it's quite often necessary to hold the device in two hands to keep it steady, especially when using the zoom rocker, which is so small and stiff it's hard to operate when filming without inadvertently giving the camera a nudge. This makes it a little harder to get a firm, comfortable hold on the unit. There's no proper grip strap - instead, you have to hobble together a grip strap substitute by screwing the wrist strap into the tripod thread underneath the device. The colour scheme works fairly well here, though a closer look reveals a slightly more plasticky build quality than you might assume from a polite distance. The body is shiny black with silver accents, in line with the majority of Toshiba's current clutch of camcorders.
#Toshiba camileo x100 review cnet movie#
The Camileo SX500's odd, boxy barrel-grip design echoes certain brands of old Super8 home movie cameras from the 1970s, but this look is given a modern remix with a 2.7-inch fold-out LCD screen and a front-mounted LED lamp.
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